The meeting of the two couples was sensibly awkward, and Fleda, who was sagacious, took the measure of the shock inflicted on Mrs. Gereth. There had been intimacy—oh yes, intimacy as well as puerility—in the horse-play of which they had just had a glimpse. The party began to stroll together to the house, and Fleda had again a sense of Mrs. Gereth's quick management in the way the lovers, or whatever they were, found themselves separated. She strolled behind with Mona, the mother possessing herself of her son, her exchange of remarks with whom, however, remained, as they went, suggestively inaudible. That member of the party in whose intenser consciousness we shall most profitably seek a reflection of the little drama with which we are concerned received an even livelier impression of Mrs. Gereth's intervention from the fact that ten minutes later, on the way to church, still another pairing had been effected. Owen walked with Fleda, and it was an amusement to the girl to feel sure that this was by his mother's direction. Fleda had other amusements as well: such as noting that Mrs. Gereth was now with Mona Brigstock; such as observing that she was all affability to that young woman; such as reflecting that, masterful and clever, with a great bright spirit, she was one of those who impose themselves as an influence; such as feeling finally that Owen Gereth was absolutely beautiful and delightfully dense. This young person had even from herself wonderful secrets of delicacy and pride; but she came as near distinctness as in the consideration of such matters she had ever come at all in now surrendering herself to the idea that it was of a pleasant effect and rather remarkable to be stupid without offense—of a pleasanter effect and more remarkable indeed than to be clever and horrid. Owen Gereth at any rate, with his inches, his features, and his lapses, was neither of these latter things. She herself was prepared, if she should ever marry, to contribute all the cleverness, and she liked to think that her husband would be a force grateful for direction. She was in her small way a spirit of the same family as Mrs. Gereth. On that flushed and huddled Sunday a great matter occurred; her little life became aware of a singular quickening. Her meagre past fell away from her like a garment of the wrong fashion, and as she came up to town on the Monday what she stared at in the suburban fields from the train was a future full of the things she particularly loved. At the end of it, one day, the London paper had another piece of news: "Mr. and Mrs. Owen Gereth, who arrived in town last week, proceed this morning to Paris." They exchanged no word about it till the evening, and none indeed would then have been uttered had not Mrs. Gereth irrelevantly broken out: "I dare say you wonder why I declared the other day with such assurance that he wouldn't live with her. He apparently is living with her."!

"He doesn't dream I've ever thought of him," said Fleda. "Why should he, if you didn't?" Owen had been blank a moment before, but he followed this argument with success—a success so immediate that it enabled him to produce with decision: "Ah, she's not that sort! She wants them herself," he added; "she wants to feel they're hers; she doesn't care whether I have them or not! And if she can't get them she doesn't want me. If she can't get them she doesn't want anything at all."

Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged. From the window of her room, the next morning before breakfast, the girl saw Owen in the garden with Mona, who strolled beside him with a listening parasol, but without a visible look for the great florid picture that had been hung there by Mrs. Gereth's hand. Mona kept dropping her eyes, as she walked, to catch the sheen of her patent-leather shoes, which resembled a man's and which she kicked forward a little—it gave her an odd movement—to help her see what she thought of them. When Fleda came down Mrs. Gereth was in the breakfast-room; and at that moment Owen, through a long window, passed in alone from the terrace and very endearingly kissed his mother. It immediately struck the girl that she was in their way, for hadn't he been borne on a wave of joy exactly to announce, before the Brigstocks departed, that Mona had at last faltered out the sweet word he had been waiting for? He shook hands with his friendly violence, but Fleda contrived not to look into his face: what she liked most to see in it was not the reflection of Mona's big boot-toes. She could bear well enough that young lady herself, but she couldn't bear Owen's opinion of her. She was on the point of slipping into the garden when the movement was checked by Mrs. Gereth's suddenly drawing her close, as if for the morning embrace, and then, while she kept her there with the bravery of the night's repose, breaking out: "Well, my dear boy, what does your young friend there make of our odds and ends?" "He has done it," said Mrs. Gereth, turning her eyes avoidingly but not unperceivingly about her and in spite of herself dropping an opinion upon the few objects in the room. Fleda, on her side, in her silence, observed how characteristically she looked at Maggie's possessions before looking at Maggie's sister. The girl understood and at first had nothing to say; she was still dumb while Mrs. Gereth selected, with hesitation, a seat less distasteful than the one that happened to be nearest. On the sofa near the window the poor woman finally showed what the two past days had done for the age of her face. Her eyes at last met Fleda's. "It's the end."